The Prism Architect | 120W LED Moving Head Beam-Spot Hybrid Light

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EastSupplier PlatformSKU: 1005008643693392-United States-US Plug

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$242.56 $303.20

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説明

Light Is Not Illumination. It Is Architecture.

Before the first note of music fills a venue, before the audience finds their seats, before the headliner even arrives — the lighting designer is already there, building the room. Every beam angle, every color temperature decision, every prism rotation is a structural choice. The Prism Architect was designed for the people who understand that light is not a special effect. It is the load-bearing wall of the live experience.

At 120 watts of LED power with an 8-facet rotating prism, this hybrid beam-spot fixture delivers the kind of presence that a 250W discharge lamp cannot match — and does it at a fraction of the weight, heat, and power draw. The RGBW color mixing engine produces over 16.7 million combinations, while the motorized focus, zoom (3° to 38°), and gobo wheels give the lighting designer a toolkit that would have required three separate fixtures a decade ago. DMX512 control with 16/24 channel modes means it integrates seamlessly into any existing rig, from a 200-capacity club to a 2,000-seat theater.

The stage is not set by carpenters. It is set by light.


Key Features

  • 120W High-Output White LED — 8,000 lumens at full output, equivalent to a traditional 250W discharge lamp. 50,000-hour rated lifespan with zero lamp replacement costs
  • 8-Facet Rotating Prism — Creates dramatic beam multiplication effects with bidirectional rotation at variable speed. Prism index and macro for precise positioning
  • Motorized Zoom 3°-38° — Transitions from a razor-sharp 3° beam (visible for hundreds of meters) to a 38° wash that bathes the entire stage. Linear zoom with zero hotspot
  • RGBW Color Mixing + Color Wheel — 16.7M color combinations via 4-in-1 LED mixing, plus 7 dichroic colors + white on a dedicated wheel. Rainbow effect with speed control
  • Rotating + Static Gobo Wheels — 7 rotating gobos (interchangeable) + 8 static gobos with gobo shake, indexing, and continuous rotation. Includes aerial, breakup, and organic patterns
  • 16/24 Channel DMX512 — Full RDM support for remote addressing and diagnostics. Compatible with all major DMX controllers including Avolites, MA Lighting, ChamSys, and ETC
  • 540° Pan / 270° Tilt — 16-bit resolution on both axes for silky-smooth movement at all speeds. Auto-position correction and pan/tilt invert for rig-mounted configurations

Technical Specifications

  • Light Source: 120W white LED, 8,000 lumens, 6,500K color temperature
  • LED Lifespan: 50,000 hours (to 70% output)
  • Zoom Range: Motorized 3° (beam) to 38° (wash)
  • Color System: RGBW 4-in-1 LED + 7-color dichroic wheel + open
  • Prism: 8-facet rotating, bidirectional, indexable
  • Gobos: 7 rotating (interchangeable, Ø 26.9mm) + 8 static + open
  • Pan/Tilt: 540°/270°, 16-bit resolution, auto-correction
  • Control: DMX512 (16/24 CH), RDM, Master/Slave, Sound Active, Auto Programs
  • Connections: 3-pin XLR in/out, PowerCON in/out
  • Power: 100-240V AC, 50/60Hz, 180W max consumption
  • Dimensions: 320 × 230 × 480 mm
  • Weight: 11.5 kg

Environments It Commands

The Prism Architect found its natural habitat in live music venues where the difference between a forgettable show and a transcendent one lives in the lighting rig. It serves the club DJ whose Saturday-night residency demands the visual drama of a festival stage from a 3-fixture setup. It serves the production company building a touring rig that needs to fit in a van, not a semi-truck. It serves the house of worship that upgraded from static PAR cans and now needs one fixture that can function as a beam, a spot, and a wash depending on the moment in the service. And it serves the lighting designer who is tired of explaining to clients why they need three separate fixture types when one Prism Architect does the job of all three.


Frequently Asked Questions

Q: Is the fan noise audible during quiet performances?

A: The Prism Architect uses a temperature-controlled variable-speed fan. At idle and low output, noise levels are 32 dBA at 1 meter — quieter than a library whisper. At full output, the fan ramps to 42 dBA, which is inaudible in any venue with amplified sound. For theater and classical music, an optional "Silent Mode" reduces max LED output to 65% with near-passive cooling.

Q: Can I replace the gobos with custom patterns?

A: Yes. The 7 rotating gobos use the industry-standard Ø 26.9mm size (image area Ø 22mm) and are secured with a retaining ring. Custom steel or glass gobos can be ordered from any major gobo manufacturer. The static gobo wheel (8 positions) is not user-serviceable.

Q: How does the 120W LED compare to a traditional 250W discharge lamp?

A: The LED delivers equivalent center-beam brightness (8,000 lumens vs. ~7,500 for a fresh 250W MSD lamp) while consuming 28% less power and producing 60% less heat. Unlike discharge lamps that dim visibly after 750 hours, the LED maintains consistent output through 50,000 hours. The trade-off is a slightly cooler color temperature (6,500K vs. 7,200K discharge), which the color wheel easily warms with CTO filters.

Q: Can I rig this fixture vertically (clamp down)?

A: Yes. The Prism Architect includes dual omega brackets for both hanging and floor-mount configurations. Pan/tilt invert settings in the DMX menu correct orientation for upside-down rigging. Always use a safety cable (not included) when hanging overhead.

Q: Does it support wireless DMX?

A: The Prism Architect does not include built-in wireless DMX. However, the 3-pin XLR input supports any standard wireless DMX receiver (LumenRadio, W-DMX, etc.) via short jumper cable. The fixture's RDM implementation is compatible with wireless RDM for remote addressing.

Customer Reviews

Customer Reviews

Based on 4 reviews
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C
Carlos V.
Three months of nightly use — zero issues

We run these from 10 PM to 4 AM, Thursday through Sunday, for three months now. Zero failures, zero lamp replacements, zero performance degradation. The 50,000-hour LED rating isn't hype. Our lighting tech loves the RDM support for remote diagnostics — he can check fixture status from the booth instead of climbing the rig. Considering we used to replace discharge lamps every 750 hours at $120 each, these have already paid for themselves in lamp savings alone.

P
Pastor Ray H.
Transformed our worship lighting — and the congregation noticed

Our church upgraded from static LED PARs to two Prism Architects and it changed the entire worship experience. The zoom range means we can throw a tight beam for a soloist or wash the full stage during congregational singing. The color mixing is beautiful — we programmed 12 scenes for different moments in the service and the transitions are silky smooth. Several congregants asked 'what changed' because the atmosphere felt different. That's the highest praise a lighting fixture can receive.

J
Jasmine T.
Excellent for mobile DJ rigs, quick setup

We deploy lighting for 2-3 events per weekend and the Prism Architect has become our go-to moving head. Setup takes 10 minutes per fixture including DMX addressing. The autofocus keeps gobos sharp through the full zoom range which is genuinely impressive at this price. Cons: the fan is audible during quiet moments (acoustic sets, speeches). Silent Mode helps but cuts output noticeably. For amplified events — clubs, weddings, corporate — it's inaudible and brilliant.

D
Derek M.
Punches way above its weight class — replaced 3 fixtures with 1

I run production for a 400-cap venue and we replaced our aging discharge spots and washes with four Prism Architects. The difference is night and day. One fixture now handles beam effects, gobo projections, and color wash — three functions that used to require three separate units. The 8-facet prism creates arena-level looks in a club setting. DMX integration was plug-and-play with our Avolites desk. At 120W LED, power draw is 28% less than the 250W discharge units they replaced.

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