The Beamwright | 40W RGBW Moving Head Beam Light

20%セーブ
East Supplier PlatformSKU: 1005007816897634-GERMANY-EU Plug

価格:
$107.31 $134.14

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説明

Light Is Not Illumination. It Is Architecture.

A moving head does not fill a room. It cuts one. A three-degree beam leaves the lens as a thin, deliberate column and lands on the crowd as a hard-edged shape with a decision inside it: this part of the floor is on, everything else waits. The Beamwright is built for that decision, a 20W RGBW LED engine in a compact iron body, driven through 540 degrees of pan and 220 degrees of tilt so the shape can be placed rather than simply switched on.

At 10000K the output sits in the cool, clinical part of the spectrum where haze reads as structure instead of fog, and 3400 lux at five metres means the beam still carries its edge across a room the size of a small club. Colour comes from a single RGBW chip, so the move from a saturated red to a clean white is a fade rather than a jump, and there is no colour wheel to wear out between events.

Control is where small fixtures usually give themselves away. This one speaks native DMX512 across 13 channels with 3-pole XLR in and out, and it also runs standalone in sound-active, auto and master-slave modes for the nights when nobody brought a console. A four-digit display handles addressing without a manual, the body is iron and ABS, and the working envelope of minus twenty to forty degrees Celsius covers a cold loading dock as easily as a warm bar floor.

A three-degree beam is a statement of exclusion. Everything outside it stops existing.


Why It Exists

  • ✦ 20W RGBW single-chip engine with 2800 lumens and no colour wheel to replace
  • ✦ 3-degree beam angle, 3400 lux at 5 metres, built to cut haze rather than wash it
  • ✦ 540 degree pan and 220 degree tilt with 2.11 degree coarse and 0.008 degree fine steps
  • ✦ Native DMX512 on 13 channels with 3-pole XLR input and loop-through output
  • ✦ Sound-active, auto and master-slave modes for console-free setups
  • ✦ 10000K colour temperature with Ra of 90 or better for skin-true whites
  • ✦ Compact iron and ABS body running on AC 110 to 240V, 10000 hour LED life

Technical Specifications

  • Light engine: 1 x 20W RGBW LED
  • Luminous flux: 2800 lm
  • Beam angle: 3 degrees
  • Illuminance: 3400 lux at 5 m
  • Colour temperature: 10000 K, Ra 90 or better
  • Pan / Tilt: 540 / 220 degrees, 2.11 and 1.05 degrees per step
  • DMX channels: 13, standard DMX512 protocol
  • Control modes: DMX512, sound-active, auto, master-slave
  • Power: 60W, AC 110-240V 50/60 Hz
  • Body and display: Iron plus ABS, 4-digit digital display
  • LED life / working range: 10000 h, minus 20 to 40 degrees C
  • Data connection: 3-pole XLR in and out

Where It Belongs

The Beamwright earns its place anywhere a small rig has to look deliberate: a 60-seat live room with no room for a lighting desk, a wedding where two beams over the dance floor carry the whole look, a bar install where the fixtures hang year-round and nobody wants to service a colour wheel, a DJ booth that travels in a hatchback. Mounted in pairs or fours on a T-bar it reads as a designed system; mounted alone above a stage it reads as punctuation. Sound-active mode makes it usable by a venue manager with no console experience, and DMX makes it usable by a lighting designer who has one.

Questions Answered

Q: Does it need a lighting console to operate?

No. The unit runs standalone in sound-active, auto and master-slave modes, which covers music-driven operation with no desk attached. DMX512 on 13 channels is there when you want programmed positions and cues from a controller.

Q: Is the 3-degree beam too narrow for a small room?

It is the point of the fixture. A 3-degree beam stays a defined column instead of flooding the walls, so a low ceiling and a small floor plan actually benefit: the light goes where you aim it and the room stays dark between beams.

Q: What is the difference between the plug variants?

The three listings are regional power configurations for Germany and the EU, the United States and the United Kingdom. The fixture itself accepts AC 110 to 240V at 50 or 60 Hz, so the variant only determines the plug and cable supplied.

Q: Can I link several units together?

Yes. Master-slave mode lets one fixture drive the others over a standard XLR chain, so a set of four behaves as one programmed group without a console. Address each unit on its own DMX channel block if you want independent control instead.

Q: How bright is 3400 lux at five metres?

At that distance the beam is still bright enough to read as a hard-edged spot on a person or a wall, which is what makes a club beam legible through haze. Beyond roughly eight to ten metres the edge softens and the unit behaves more like an accent than a spot.

Q: Does it work with a standard DMX controller?

Yes. The protocol is standard DMX512 on 13 channels with 3-pole XLR connectors, so any console or USB DMX interface that speaks DMX512 will drive it. No proprietary software or dongle is required.

Q: How is it mounted?

The yoke is self-contained, so the fixture clamps to a T-bar, truss or lighting stand without an extra bracket. Use a proper clamp and safety cable for overhead positions, and keep the working range in mind when rigging outdoors.

Q: What kind of maintenance does it need?

Very little beyond dusting the lens and fan intake between events. There is no colour wheel, no gel and no lamp to replace, and the LED engine is rated for 10000 hours, which is years of weekend use before the output starts to matter.

Customer Reviews

Customer Reviews

Based on 5 reviews
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R
Rosalind W.
Lighter than it looks

The compact body makes it easy to hang alone, which is how most small venues will use it. Fan noise is audible if the room is silent, but under any music it disappears.

Q
Quentin M.
Beams pair beautifully

Bought a second one after the first night. Two fixtures on a T-bar across the front of the stage is the whole look, and the master-slave mode means one address block covers both.

T
Tobias B.
Compact but runs warm

Iron body and the weight feel honest, and the 13 channel mode gives us real control. Only note is the housing gets warm after a long set, so give it airflow if you rack four together.

I
Isolde B.
Pan and tilt are genuinely smooth

The fine tilt adjustment is what sold me. Setting a beam to land exactly on a mic stand and having it stay there across a 3 hour set is not something I expected at this price.

R
Rowan B.
Beam holds an edge through haze

Ran two of these over a 40-seat room and the 3 degree beam still reads as a hard column instead of a wash. Sound active mode got us through a night when the DMX controller died at load-in.

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