Descrizione
Light does not decorate a room. It decides what the room is.
A wall is the most underused surface on any stage. Lighting designers spend their budget on moving heads that carve the air, then leave the architecture dark behind the performers. The Wall Wash Series exists to fix that imbalance, throwing eighteen six-in-one emitters at a vertical surface until the wall itself becomes part of the composition. Six colours per pixel means amber and ultraviolet are available, not approximated. That is the difference between a warm wash that looks like sunset and a warm wash that looks like a filter.
The fixture is built around 18 by 18 watt RGBWA+UV LEDs, driven as a single 324 watt package on universal 100 to 240 volt input. Control runs across four DMX personalities, from a compact 11-channel mode for simple washes up to 119 channels for pixel-level work, with a mechanical dimmer that travels the full zero to one hundred percent and a strobe that reaches ten hertz. The LEDs are rated beyond 60,000 hours, which for a rental house means the fixture outlives two generations of the console that drives it. Installation is self-contained, so the unit hangs or stands without a separate driver box.
What makes the series practical is the packaging. One, two and four piece sets are priced as sets, which matters when a venue is buying a wall treatment rather than a single fixture. Each order carries the correct plug type and regional warehouse, so a Prague install and a Texas install do not need the same adapter conversation. For a wedding venue adding colour behind a head table, two units are enough. For a club washing a twenty metre back wall, four units in a line read as one continuous sheet of light.
The fixture disappears. The wall is what the audience remembers.
Why designers specify it
- ✦Eighteen 18W six-in-one emitters per fixture, with amber and UV channels alongside RGBW.
- ✦324W total draw on universal 100 to 240V input, stable on both European and North American supplies.
- ✦Four DMX personalities, 11, 29, 108 and 119 channels, so the same fixture serves simple and pixel-level rigs.
- ✦Mechanical dimming across the full 0 to 100 percent range with no colour shift at low output.
- ✦Strobe rate adjustable from 0 to 10Hz for audience blinders and beat-locked chases.
- ✦LED lifespan beyond 60,000 hours, rated for rental inventory rather than occasional use.
- ✦Self-contained housing, available as 1, 2 or 4 piece sets with the correct regional plug and warehouse.
Fixture data
- Light engine 18 x 18W RGBWA+UV six-in-one LEDs
- Total power consumption 324W
- Input voltage AC 100-240V, 50-60Hz
- DMX channel modes 11 / 29 / 108 / 119
- Dimming 0-100% mechanical
- Strobe 0-10Hz adjustable
- LED rated life 60,000+ hours
- Luminous flux range 2,000-82,000 lm
- Installation Self-contained, no external driver
- Certifications CE, EAC, FCC, RoHS, UL, WEEE
- Set configurations 1, 2 or 4 piece
- Application Professional stage, DJ and event
Where it earns its keep
Wedding venues use a pair behind the head table to turn a flat hotel wall into a warm gradient that photographs well. Clubs and live houses line four units along a back wall for a full-height colour wash that reads as architecture rather than equipment. Rental houses stock the four-piece set because it covers a small stage on a single invoice. Churches and conference halls favour the 11-channel mode, which lets a volunteer operator set a colour and walk away, while the 119-channel mode stays available for the lighting designer who returns for the annual gala. Anywhere a vertical surface is the largest thing in the room, this is the fixture that turns it into an asset.
Buying questions answered
Q: How many fixtures do I need to wash a wall?
Roughly one fixture per four to five metres of wall width at three to four metres of throw. A standard hotel banquet wall of twelve metres takes two to three units. For an even, seamless sheet of light, plan for overlap rather than edge-to-edge placement.
Q: Why does the UV channel matter if I never use blacklight?
The UV emitter is not only for glow effects. It extends the blue and violet end of the spectrum, which is what makes deep royal blue and cold steel tones read as saturated instead of chalky. Designers who never trigger a blacklight still benefit from the extra band.
Q: Can I run these from a simple controller?
Yes. In 11-channel mode the fixture behaves like a conventional wash light and works with any basic DMX console or software node. The higher channel counts only matter if you want per-pixel control across the eighteen emitters.
Q: Which model suits a European venue?
Order the Czech Republic warehouse variant with the EU plug. It arrives within the European delivery network with no customs step and no adapter. The United States variant with a US plug is the equivalent choice for North American venues.
Q: Is 324W going to trip a standard circuit?
On a 230V supply the fixture draws roughly 1.4 amps, so two fixtures on a single 16 amp circuit is comfortable. On a 120V supply plan for about 2.7 amps per unit. Any venue electrician can confirm against the house distribution before the load-in.
The EastSupplier Promise
Priced as a set, shipped from the regional warehouse that matches your plug, and inspected before dispatch. If a fixture arrives with a dead emitter or a failed driver, we replace the unit rather than sending you into a service queue before your event date.
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