Description
A lighting rig is only as fast as the hand on the fader. Ten fixtures and a laptop is a hobby. Twenty fixtures, a moving head wash and a support act with a different set is a job, and a job needs a surface that puts every cue under a finger instead of under three menus.
This console gives 1024 DMX channels across the standard universes, with the layout that touring operators expect: scene faders in rows, chase controls where the right hand falls, and a bank structure that lets you build a set list rather than rebuild a show. Par cans, moving heads, wash bars and effect units all map the same way, because the fixture library speaks DMX rather than brand dialect.
The 192-channel configuration exists for the smaller room, the mobile DJ and the venue that wants a physical desk rather than a tablet. Fewer faders, the same logic. Both versions keep their programming after power-down, which is the single feature that separates a usable console from a toy: a power cut at 8 pm should not cost you the set you built at 4 pm.
Build quality is where affordable consoles usually concede. Here the faders are replaceable, the chassis is metal, and the DMX outputs are isolated so a fault in one fixture chain does not take the whole universe down mid-show.
The audience never sees the desk. They see whether the show repeated itself.
What Makes It Different
- ✦1024 DMX channels across the full universe for mid-sized rigs.
- ✦192-channel version for mobile and small-venue work with the same programming logic.
- ✦Scene and chase faders laid out for live operation, not menu diving.
- ✦Program memory retained across power cycles.
- ✦Isolated DMX outputs so one faulty chain cannot drop the universe.
- ✦Replaceable faders and a metal chassis built for transport.
- ✦Works with par cans, moving heads, wash bars and effect fixtures from any manufacturer.
Technical Specifications
- Channel capacity1024 channels (192-channel variant also available)
- ProtocolDMX512 over 3-pin XLR
- ControlScene faders, chase controls, bank selection
- MemoryProgram retained after power-down
- OutputsIsolated DMX output ports
- ChassisMetal housing with replaceable faders
- Fixture typesPar cans, moving heads, wash bars, scanners, effect units
- PowerMains input, internal supply
- MountingDesk or case-mount
- UseLive music, clubs, mobile DJ, venue installs
Where It Earns Its Place
The operator who buys this is working rooms between eighty and eight hundred people, where a laptop and a dongle still work but the risk of a driver update before doors does not feel acceptable. A club installs it at the booth because the bar staff can be taught six scenes and a blackout in an afternoon. A mobile DJ takes the 192 to weddings and needs nothing more than four chases and a mic-activated colour wash. A production company keeps a 1024 in the van as a backup desk, because the main console failing at load-in is exactly the scenario a spare is for.
The EastSupplier Promise
Sourced directly from vetted manufacturing partners, inspected before dispatch, and priced without distributor layers. If the item arrives outside specification, we replace it or refund it. Every listing on this store is curated by a human buyer, not bulk-imported and abandoned.
Questions Buyers Actually Ask
Q: Can it run moving heads?
Yes. Moving heads map as multi-channel fixtures, and the desk supports pan, tilt, colour and gobo channels within the 1024-channel budget. Count your fixture channel totals before committing to a rig plan.
Q: Do I need a computer?
No. The console runs standalone. A laptop is only useful for offline programming or backup.
Q: Does it keep programming when switched off?
Yes. Show memory is retained, which is the reason a venue can leave the desk in a booth without a UPS.
Q: Is 192 channels enough?
For eight to twelve par cans and a couple of effects, yes. The moment you add moving heads with sixteen or more channels each, the 1024 version stops being a luxury.
Q: What fixtures are supported?
Any DMX512 fixture, regardless of brand. The desk does not need a fixture profile to output channel levels, though profiles make patching faster.
Q: Is it repairable?
Faders and encoders are replaceable parts. That matters in a booth where a spilled drink is a maintenance event, not a replacement.
Customer Reviews
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