Description
Ink Does Not Forgive Hesitation, Which Is Exactly Why It Teaches It.
A brush loaded with the wrong ink tells you immediately. It feathers into the paper, it greys out in the middle of a stroke, or it sits on the surface in a slick little puddle that refuses to be a line. Paper is honest, and it audits your materials every single time.
High-density ink, ground for the way a brush actually loads. This is a dense, deep-black liquid ink made for brush calligraphy and ink painting, where the amount carried on the bristles decides whether a stroke tapers to a fine tail or collapses into a blot. Higher pigment density means the brush releases ink progressively, so a single continuous stroke keeps the same weight from the first centimetre to the last. It performs on absorbent practice paper and on canvas, and it flows well enough for large-scale painting where a thin ink would require constant re-dipping.
Two working weights: the pot you keep on the desk and the refill you buy once a season. The 500g container is the everyday size for a student, a hobbyist or a teacher running a class, sized to sit beside a copybook without taking over the table. The 1000g format is for studios, classrooms and practising calligraphers who go through ink steadily and would rather decant into a smaller dish than reorder an ink bottle every few weeks. Pigment settles naturally in any quality ink, so stir or shake gently before pouring and keep the container sealed between sessions.
Give a brush ink with memory, and it will finally hold a line the way your hand intended.
Key Features
- ✦ High-density black ink formulated for brush calligraphy and ink painting
- ✦ Progressive brush release for consistent stroke weight from start to finish
- ✦ Deep, opaque black that holds against absorbent paper without greying out
- ✦ Suitable for copybook practice, sumi-e painting, canvas and glass work
- ✦ Two weights: 500g for desk and classroom use, 1000g for studios and heavy practice
- ✦ Resealable container for storage between sessions
Technical Specifications
- Weights available: 500g and 1000g
- Ink type: High-density liquid ink for brush calligraphy and painting
- Colour: Deep black
- Suitable surfaces: Practice paper, calligraphy paper, canvas, glass
- Recommended use: Copybook practice, Chinese painting, brush sketching
- Application: Pour into an ink dish or palette; load the brush from the dish
- Storage: Sealed, upright, out of direct sunlight
- Origin: Mainland China
Where It Belongs
Copybook practice is the most common use: students filling page after page of character grids need an ink that behaves identically on the first stroke of the lesson and the last. Chinese painting studios use the larger weight for sumi-e and freehand work where tone is built from dilution rather than from pigment choice. Schools and evening classes buy in the 1000g format because it survives a term of shared use, and illustrators who work in brush and wash keep a small dish of it beside the drawing board for dry-brush texture and clean calligraphic marks.
The EastSupplier Promise
- ✦ Sourced from vetted manufacturers, not marketplace leftovers
- ✦ Technical specifications published from the original factory data sheet
- ✦ Photographed on the real production line, not a stock render
- ✦ Dispatched from regional warehouses with tracked delivery
Frequently Asked Questions
Q: Is the ink ready to use, or does it need grinding?
A: It is a ready-to-use liquid ink. Traditional ink sticks require grinding on a stone; this does not.
Q: Does the 1000g version include a pouring spout?
A: The container is a wide-mouth resealable format. Decant into a smaller dish or a clean bottle for daily work rather than pouring directly over paper.
Q: Will the ink bleed on thin paper?
A: On very absorbent practice paper, a light load gives a sharper line. Reduce the amount carried on the brush and work with a quicker stroke to control bleed.
Q: Can I dilute it for grey tones?
A: Yes. Add water a few drops at a time in a separate dish. Diluted ink will dry slightly lighter than it looks when wet.
Q: Does it dry waterproof?
A: It dries to a stable, non-smudging film on paper and canvas. For work that will be varnished or displayed outdoors, seal it with a suitable fixative.
Q: How long does 500g last?
A: A student practising daily typically works through 500g over several months, since a single practice session uses only a few millilitres.
Q: Should the container be shaken?
A: Pigment settles over time in any quality ink. Stir gently or roll the container before pouring rather than shaking it vigorously.
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