Description
Ink is not a supply. It is the physical memory of a design.
Every direct-to-film print begins as a decision made on a screen and ends as a decision made by chemistry. A colour that survives the transfer press, the wash cycle, and a season of wear is not an accident of luck. It is the result of pigment load, dispersion quality, and viscosity held inside a tolerance band narrow enough to keep five channels agreeing with each other across a thousand impressions. This set is built for that agreement: black, cyan, magenta, yellow, and white, each bottled at one litre, each formulated for Epson DTF and textile print heads.
The white channel is where most cheap ink sets fail. It must sit opaque enough to carry colour on dark cotton yet flow cleanly enough to avoid clogging a print head that was never designed to be forgiving. These bottles are produced in sealed lines and shipped capped, so what arrives is what was filled. If you run production, or if you simply refuse to reprint a job twice, the difference between this and a bargain refill is measured in wasted film, not in dollars per millilitre.
Ink is the last ingredient anyone photographs. It is the first one anyone notices.
Key Features
- ✦ Five-channel set: black, cyan, magenta, yellow, white
- ✦ One litre per bottle, five bottles per set
- ✦ Formulated for DTF and textile print heads on Epson platforms
- ✦ High pigment load for opaque transfer on dark garments
- ✦ Filtered dispersion to reduce nozzle settlement and clogging
- ✦ Sealed screw-cap bottles for stable storage between jobs
- ✦ Suited to desktop as well as large-format DTF production lines
Technical Specifications
- Volume: 1000 ml per bottle
- Colour set: Black, cyan, magenta, yellow, white
- Ink type: DTF pigment ink for PET film transfer
- Compatible brand: Epson textile and DTF printers
- Supply format: 5-bottle set, individually sealed
- Application: Direct-to-film transfer onto cotton, blends and polyester
- Channel layout: C, M, Y, K plus white underbase
- Storage: Sealed, 5 to 30 degrees Celsius, out of direct sunlight
- Shelf life: 18 months unopened
- Origin: Mainland China
Who It Is For
This set is aimed at the shop that has moved past sampling and into production. A two-person print studio running DTF transfers on hoodies and workwear needs five channels that behave identically on Monday morning and Friday evening, because a colour shift between runs means a reprint and a reprint means a lost margin. Larger format operations use the same set to keep white underbase stock on the shelf without buying a full drum. It also suits the print-on-demand seller who has learned that film cost and ink cost are the two line items that decide whether a repeat order is profitable.
Production work rewards a set that behaves the same on every bottle. Five channels filled to a single specification means a colour match that holds across a full week of printing rather than drifting between batches, and it means fewer wasted films when a job has to be reprinted. If your shop tracks ink cost per transfer, one litre formats make that arithmetic straightforward to follow month by month.
Frequently Asked Questions
Q: What is included in one set?
Five sealed bottles of one litre each, covering black, cyan, magenta, yellow and white. The white channel is supplied for underbase work on dark garments.
Q: Which printers does this ink suit?
It is formulated for Epson DTF and textile print heads, including desktop modified units and larger format DTF lines. Confirm your print head model before a first production run.
Q: How should the ink be stored?
Keep bottles sealed and upright between 5 and 30 degrees Celsius, away from direct sunlight. Store left over ink in its original bottle and cap it firmly.
Q: How long does an unopened bottle keep?
Around 18 months when stored sealed and out of sunlight. Once opened, use the bottle within a normal production cycle for best consistency.
Q: Why does white matter more than the other channels?
White carries the opacity of the whole transfer on dark fabric. A weak white produces dull colour above it, so the underbase is the channel that decides whether the finished print looks professional.
Q: Does the ink need to be mixed before use?
Pigment inks settle slowly during storage. Invert each bottle a few times before filling the reservoir so the pigment is evenly distributed through the channel. Avoid vigorous shaking, which introduces air.
Q: Can the five colours be blended for custom tones?
The set is supplied as a standard five-channel process set. Blending across channels is possible for specific jobs, but it changes the relationship between the white underbase and the colour layer, so test on scrap film first.
The EastSupplier Promise
Sourced through vetted manufacturing partners and inspected before dispatch. Orders ship with tracking, and our team answers specification questions before you buy, not after.
Customer Reviews
Payment and Security
Vos informations de paiement sont gérées de manière sécurisée. Nous ne stockons ni ne pouvons récupérer votre numéro de carte bancaire.