Description
Clear resin is judged in the first three seconds. Either the cast reads as glass, or it reads as plastic with a fog inside it.
This is a 1:1 two-part epoxy system built for that judgement: high clarity, self-defoaming, hard once cured and slow to yellow. Mix equal parts of A and B, stir slowly to limit air, and pour. At roughly 25 degrees Celsius a two centimetre pour reaches surface dry in about an hour and cures through in around eight, which suits jewellery work, small castings, coasters, keychains and moulded floral pieces. The kit arrives complete with tweezers, disposable gloves and tablecloth, two measuring cups, two scrapers and ten wood sticks, plus bagged gold and silver foil for inclusions, so the first pour does not stall on a missing tool.
Two kit sizes cover hobby and small production work. The 500ml kit is the starting point for a maker testing designs. The 1000ml kit is the working size for a studio running repeat orders, since mixing larger batches keeps colour and clarity consistent across a set of pieces.
A pour either looks like glass or it does not. The difference is in the mix.
Key Features
- ✦ 1:1 mixing ratio for simple, repeatable batches
- ✦ Self-defoaming formula that limits trapped air bubbles
- ✦ High clarity and hardness with resistance to yellowing
- ✦ Cures at around 25 degrees Celsius: surface dry in about an hour, full cure in about eight
- ✦ Complete kit with tweezers, gloves, tablecloth, two measuring cups, two scrapers and ten wood sticks
- ✦ Bagged gold and silver foil included for inclusions and accents
- ✦ Available in 500ml and 1000ml kit sizes for hobby and studio use
Technical Specifications
- System: Two-part AB epoxy resin and hardener
- Mixing Ratio: 1:1 by volume
- Kit Sizes: 250ml A + 250ml B, and 500ml A + 500ml B
- Appearance: Transparent, high clarity
- Attributes: Self-defoaming, high hardness, resistance to yellowing
- Working Temperature: Around 25 degrees Celsius
- Cure Profile: Surface dry in about 1 hour at 2cm thickness; cured in about 8 hours
- Included: Tweezers, disposable tablecloth, four gloves, two scrapers, two 60ml measuring cups, ten wood sticks, gold and silver foil
- Applications: Jewelry casting, moulds, coasters, keychains, floral and inclusion pieces
- Storage: Keep both parts sealed, upright and out of direct sunlight
Where It Works Best
Jewellery makers use the kit for pendant and ring casting with dried flowers, foil and pigment inclusions, where clarity decides whether the piece sells. Craft studios run repeat coaster and tray pours, and the 1000ml kit keeps a production batch consistent. Hobby makers testing resin work for the first time start with the 500ml kit, since the included tools and foil remove the setup cost. Small workshops making keychains, bookmarks and custom gifts use the same system as their standing supply because the mix ratio is simple to scale and the cure timing fits a working day.
Frequently Asked Questions
Q: What is the mixing ratio?
One part A to one part B by volume. Mix slowly for the full working time to limit air bubbles, then pour at a steady rate.
Q: How long does the resin take to cure?
At roughly 25 degrees Celsius, a two centimetre pour reaches surface dry in about an hour and cures through in around eight hours. Cooler rooms slow the cure.
Q: Will the finished piece turn yellow?
The formula is made to resist yellowing, which is what keeps clear casts readable over time. Store finished pieces away from long direct sunlight, as with any epoxy.
Q: Can I pour over dried flowers and foil?
Yes. Bagged gold and silver foil is included for inclusions, and dried flowers work well when they are fully dry. Seal porous inclusions first if they tend to trap air.
Q: Is the kit enough for a first project?
The 500ml kit includes the full tool set plus foil, which is enough to test several small castings and learn the pour behaviour before scaling up.
Q: Do bubbles need a vacuum chamber?
The formula is self-defoaming, so a slow mix and a room-temperature pour handles most small castings. A vacuum or pressure setup is only needed for larger blocks or exacting optical work.
Q: How should I store what I do not use?
Keep both bottles sealed and upright, out of direct sunlight and away from heat. Wipe the bottle necks before closing so the caps do not bond to the threads.
The EastSupplier Promise
- Direct supply chain sourcing with kits checked before dispatch
- Volume terms for studios and repeat production orders
- Stock held for immediate repeat dispatch
- A real person answers mixing, curing and casting questions
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