Description
Thinning hair is not a colour problem or a length problem. It is a density problem, and density is the one thing a salon can add in a single sitting.
The Density Veil is a 500g professional format of protein keratin hair fiber, the buildable powder that clings to existing strands through a natural static charge and reads as volume rather than product. Ten shades run from black through the browns to blonde, grey and auburn, which means the fibre can be matched to the client rather than the client matched to the product. Applied to the crown, part line or temple, it disappears into the hairline under daylight and holds through the day.
The 500g bag is the working size for salons, barbers and private label brands, supplied as five 100g units. A single application uses a light dusting, so the bag supports hundreds of client finishes, and the refill format keeps the cabinet stocked without small-unit repackaging. OEM and private label options are available for brands building their own line around the formula.
Ink is not a consumable here. It is the first half of the finished garment.
Key Features
- ✦ Five 1000ml bottles per set, one litre per colour channel
- ✦ Full process set: Black, Cyan, Magenta, Yellow plus White for dark substrates
- ✦ Formulated for direct-to-film transfer onto PET film
- ✦ Fine filtration that keeps nozzles clear through long production runs
- ✦ Batch-to-batch colour consistency for repeatable reorders
- ✦ Compatible with desktop DTF units and large-format presses running Epson printheads
- ✦ Sealed bottles with tamper protection for safe storage and shipping
Technical Specifications
- Volume: 1000ml per bottle
- Set Contents: 5 bottles: Black, Cyan, Magenta, Yellow, White
- Ink Type: Pigment ink for DTF transfer printing
- Primary Application: Direct transfer film onto PET film
- Compatibility: Desktop and large-format DTF printers with Epson printheads
- Colour Options: Sold as a full set or as single colour bottles
- Packaging: Sealed factory bottles with tamper caps
- Storage: Keep sealed and upright, away from direct sunlight and freezing
- Handling: Shake gently before filling; avoid cross-contamination between colours
- Ideal For: Print shops, garment decorators, sample studios, production lines
Where It Works Best
Commercial garment decorators running daily DTF output use this set as their standing ink supply, because a five-litre order covers weeks of transfers without a reorder interruption. Sample studios keep one set on the shelf for rapid client proofs on dark cotton and blends. Print farms running several desktop machines split the bottles across stations so every press works from the same batch, which is the simplest way to keep a multi-machine shop colour-matched. Private label decorators who ship finished garments under their own brand rely on the white channel holding density so the base layer never turns grey on a black tee.
Frequently Asked Questions
Q: Which printers is this ink made for?
It is formulated for DTF transfer printing on printers that use Epson printheads, including common desktop DTF conversions and large-format machines. Match the ink to your printhead family rather than the machine badge.
Q: Is white included, or is it sold separately?
White is part of the five-bottle set, and single colour bottles are available separately. Most shops run through white fastest, so a spare white bottle alongside the set is the usual practice.
Q: How should I store the bottles?
Keep them sealed, upright and out of direct sunlight, and protect them from freezing. Allow a bottle that has been stored in a cold space to return to room temperature before use.
Q: Will the colour match my previous batch?
The pigment load is held to a consistent tolerance, which is what keeps process colours neutral from one order to the next. Always run a small proof transfer before committing a large production run.
Q: Do I need to filter or dilute the ink?
No dilution is required. The ink is filtered during production for nozzle safety. Pour through a clean funnel when refilling reservoirs and avoid mixing residue between colour channels.
Q: How many transfers will five litres cover?
Coverage depends on artwork size and film format, so no fixed transfer count applies. In practice most production shops find a five-litre set carries several weeks of daily output, with the white channel consumed fastest.
Q: Can I mix this ink with another brand in the same machine?
We advise against mixing ink families inside one printhead line. Flush the lines when changing suppliers and keep one brand per colour channel to avoid additive conflicts and nozzle clogging.
The EastSupplier Promise
- Ships from our own cross-border supply chain, not a dropship relay
- Every unit inspected at the warehouse before dispatch
- Bulk and repeat order pricing available for production shops
- Support on selection, compatibility and reordering from a real person
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